In his work, Hans Grootswagers translates the non mundane into the identifiable. Reality and fiction are interwoven to subsequently merge in ways not always readily perceivable. Mass and volume are allocated new dimensions that consistently present a challenge making for extraordinary sculptures with as source of inspiration abstractions from the world of emotions. This preference for suggested 'spatiality and volumes' is expressed in his sculpture, resulting in a fascinating object over which to contemplate.
SELECTED EXHIBITIONS
Kiss, Gallery Different, London, 2012
10 Years of Hans Grootswagers, Van Loon & Simons Vught, Vught, Netherlands, 2011
Art Laren, Laren, Netherlands, 2010
Prima Vera, Rotterdam, Netherlands, 2010
Art Nocturne, Knokke, Belgium, 2009
Biennale Vught 2009, Van Loon Gallery, Vught, Netherlands, 2009
The Great Art Fair 2007, San Francisco/New York/London, 2007
InterArt International Sculpture Garden, Heeswijk-Dinter, Netherlands, 2007
Galerie Amalvy, Valance, France, 2007
The Great Art Fair 2006, London, 2006
Tenfold, Contemporary Figurative Bronze Sculpture, Broomhill Sculpture Garden, North Devon, 2006
International sculpture exposition “Oisterwijk Sculpture 2005, International exhibition, Netherlands, 2005
International sculpture exposition “Oisterwijk Sculpture 2004, International exhibition, Netherlands, 2004
Expositie Huis van Strijdhoven, Oisterwijk, Netherlands, 2003
Broomhill Sculpture Garden, Barnstaple, North Devon, 2002
Galerie E.M.Hermes, Place Hermes, Frejus-Port, France, 2002
Galerie E.M.Hermes, Place Hermes, Frejus-Port, France, 2001
Les petites bronzes de Hans Grootswagers, Galerie Verda, Les Issambres, France, 2001
Zomer expositie 2, Museum Kruysenhuis, Oirschot, Netherlands, 2000
Full of LoveBronze
In his work, Hans Grootswagers translates the non mundane into the identifiable. Reality and fiction are interwoven to subsequently merge in ways not always readily perceivable. Mass and volume are allocated new dimensions that consistently present a challenge making for extraordinary sculptures with as source of inspiration abstractions from the world of emotions. This preference for suggested 'spatiality and volumes' is expressed in his sculpture, resulting in a fascinating object over which to contemplate.